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Feature Comment

"My view of this matter is that when a company invites a professional composer to pitch, then the composer should get paid. How much they get paid depends on the amount of work involved and the status of......"
Rodney Newton on the Feature Pitching For Free — What's the Deal?

11 Mar 13:36

Templar & Lugar by Joris de Man

  • “Such a small amount of thematic material developed with real skill and musicality. Really beautiful.…”
  • Leslie Quarcoopome (Composer)
11 Mar 13:31

Around the World in 80 Days by Joris de Man

  • “An absolutely virtuosic orchestration of such a tightly scored to picture track. Awesome work, Joris. If you haven't heard this track in situ, head on over to Joris' website for the video.…”
  • Leslie Quarcoopome (Composer)
08 Mar 13:24

Pindown by Jon Wygens

  • “This is beautiful, Jon. I love the constant sense of movement you achieve through the antiphonal nature of the arrangement, despite being an inherently slow piece - very cleverly put together. I also...…”
  • David M Saunders (Composer)

Featured Panellist William Goodchild

Screened Music Guest Panellist William Goodchild

William’s composing portfolio includes original music for natural history and history documentary, radio drama and commercials. He works regularly with a number of international and national orchestras including the Royal Philharmonic Orchestra, the BBC Concert Orchestra and the London Metropolitan Orchestra. As conductor and orchestrator he has undertaken numerous projects for the BBC including several major natural history series.

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Screened Music is for…

  • Professional film and television composers
  • Composers wishing to attend technical seminars
  • Industry professionals who wish to attend screening showcase events
  • Music commissioners who wish to contact our composers
  • Anyone with an interest in film and television music

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