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Most Discussed Film and TV music
Period:
| Position # |
Track |
Composer |
Moods |
Genres |
Comment
Count |
Recommendation
Count |
| 1 |
Ocean Dawn |
Rodney Newton |
Orchestral |
Atmospheric, Epic, Dramatic |
19 |
 + 9 more |
| 2 |
Helicopter (EON Commercial) |
Rob Manning |
Folk, Acoustic, Blues |
Cheerful, Fun |
12 |
 + 2 more |
| 3 |
Andes to Amazon |
Anne Nikitin |
Orchestral |
Dramatic, Sentimental, Epic |
12 |
|
| 4 |
Rollers and Breakers |
Rodney Newton |
Orchestral |
Epic, Energetic, Fun |
11 |
+ 1 more |
| 5 |
Save Our Seas |
Andy Quin |
Orchestral |
Atmospheric, Dramatic, Epic |
11 |
|
| 6 |
Dancing Mantarays |
Dan Weinberg |
Orchestral, Ambient |
Atmospheric, Dramatic, Factual |
10 |
|
| 7 |
Galapagos Islands |
Dale Sumner |
Orchestral, Electronica |
Atmospheric, Dramatic, Epic |
10 |
|
| 8 |
fantasy score 1 |
Mick Kiely |
Orchestral |
Dramatic, Energetic, Fun |
9 |
|
| 9 |
Nuclear Devastation (E=mc2) |
Michael J. McEvoy |
Orchestral, Strings |
Dark, Dramatic, Atmospheric |
9 |
|
| 10 |
In to Work (from 'Mossley Mill') |
Robert Jarvis |
Ambient, Experimental, Chamber Group |
Atmospheric, Bright, Factual |
9 |
|
| 11 |
Supernatural |
Olivia Dixon |
Strings, Piano, Experimental |
Epic, Dark, Weird |
9 |
|
| 12 |
Temerario |
Mat Davidson |
Strings, Acoustic |
Dark, Atmospheric, Epic |
8 |
|
| 13 |
movement |
Max Wilson |
Strings, Ambient, Acoustic |
Atmospheric, Sentimental, Minimalist |
8 |
|
| 14 |
Empty |
Olivia Dixon |
Ambient, Experimental, Industrial |
Dark, Weird, Cool |
8 |
|
| 15 |
Only Way Out |
Jack Chapple |
Orchestral |
Energetic, Dramatic, Suspense |
8 |
|
| 16 |
Elevation |
Olivia Dixon |
Piano, Strings, Electronica |
Sentimental, Chilled, Cool |
8 |
|
| 17 |
DNA |
Jonathan Ware |
Ambient, Orchestral, Electronica |
Atmospheric, Dark, Dramatic |
8 |
|
| 18 |
Day Dreamer |
Mark Revell |
Easy Listening, Pop, Jazz |
Atmospheric, Romantic, Sentimental |
8 |
|
| 19 |
Dark Ceiling Shadow |
Max Wilson |
Industrial, Electronica, Urban |
Dark, Dramatic, Suspense |
7 |
|
| 20 |
Why You Left Me (finale extract) |
Amos Deane |
Strings, Orchestral |
Minimalist |
7 |
|
| 21 |
Don't be a Bad Boy |
Nicholas Pullin |
Electronica, Rock, Experimental |
Dark, Suspense, Dramatic |
7 |
|
| 22 |
Lobo Pre title |
William Goodchild |
Country, Orchestral |
Atmospheric, Dramatic, Romantic |
6 |
|
| 23 |
Invisible |
Mark Adair |
Orchestral, Piano, Acoustic |
Atmospheric, Dramatic, Suspense |
6 |
|
| 24 |
Flight To The Andes |
James Jones |
Orchestral |
Epic, Dramatic |
6 |
|
| 25 |
Birth of War |
Joris de Man |
Orchestral, Strings, Choral |
Atmospheric, Epic, Suspense |
6 |
|
| 26 |
The State Versus |
Rob Manning |
Orchestral, Piano |
Atmospheric, Dramatic |
6 |
|
| 27 |
Kerberos Trailer |
Jack Chapple |
Orchestral, Piano, Ambient |
Dark, Epic, Atmospheric |
6 |
|
| 28 |
Egypt Tombs |
Dov Waterman |
World, Orchestral, Ambient |
Dramatic, Epic, Atmospheric |
6 |
|
| 29 |
Saskia's Waltz |
Dave Gale |
Orchestral, Chamber Group |
Romantic, Minimalist |
6 |
|
| 30 |
Water Is The Great Divider |
Mat Davidson |
Ambient, Acoustic, Orchestral |
Atmospheric, Sentimental, Cool |
6 |
|
Successful mastering depends upon the involvement of a highly trained, skilled engineer, the appropriate combination of traditional and state-of-the-art equipment, plus an ideal acoustic environment.
24 Aug 18:38
16 Aug 20:59
07 Aug 23:16
17 Aug 10:45
09 Aug 17:28
- “This captures the spirit perfectly and is very, very catchy! It could very well have been used during the coverage in numerous ways. Expert production values too. Great work Matt.…”
- David Hunt (Composer)
03 Aug 21:24
- “It's always difficult to produce romantic music with a novel edge, but I think this captures the dyadic interaction of lovers very well. The simple instrumentation, harmonies and colouring lend themselves...…”
- Ian Toone (Member)
Michael J McEvoy is a composer and performing musician with a varied background in the music industry, having worked in popular music, TV composition and feature film scoring. Recent credits include the new Open Titles theme music for 'Live From Abbey Road'(C4) and original music for Richard Linklater's feature, 'Me and Orson Welles', starring Zac Efron and Claire Danes
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Screened Music Composer Joris de Man has won the Ivor Novello award for Best Video Game Score, the first time the category was included at the Ivors. More
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