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Most Discussed Film and TV music
Period:
| Position # |
Track |
Composer |
Moods |
Genres |
Comment
Count |
Recommendation
Count |
| 1 |
Ocean Dawn |
Rodney Newton |
Orchestral |
Atmospheric, Epic, Dramatic |
19 |
 + 9 more |
| 2 |
Anthem |
Tony Patterson |
Choral, Ambient, Orchestral |
Dramatic, Epic, Energetic |
13 |
 |
| 3 |
Helicopter (EON Commercial) |
Rob Manning |
Folk, Acoustic, Blues |
Cheerful, Fun |
12 |
+ 2 more |
| 4 |
Save Our Seas |
Andy Quin |
Orchestral |
Atmospheric, Dramatic, Epic |
11 |
|
| 5 |
Rollers and Breakers |
Rodney Newton |
Orchestral |
Epic, Energetic, Fun |
11 |
+ 1 more |
| 6 |
Andes to Amazon |
Anne Nikitin |
Orchestral |
Dramatic, Sentimental, Epic |
11 |
|
| 7 |
Hornets Attack! |
Tony Patterson |
Orchestral, Strings |
Dramatic, Epic, Factual |
10 |
|
| 8 |
Space Mirrors |
Wayne Urquhart |
Strings, Electronica, Urban |
Dark, Melancholy, Dramatic |
10 |
|
| 9 |
Dancing Mantarays |
Dan Weinberg |
Orchestral, Ambient |
Atmospheric, Dramatic, Factual |
10 |
|
| 10 |
Galapagos Islands |
Dale Sumner |
Orchestral, Electronica |
Atmospheric, Dramatic, Epic |
10 |
|
| 11 |
fantasy score 1 |
Mick Kiely |
Orchestral |
Dramatic, Energetic, Fun |
9 |
|
| 12 |
Nuclear Devastation (E=mc2) |
Michael J. McEvoy |
Orchestral, Strings |
Dark, Dramatic, Atmospheric |
9 |
|
| 13 |
In to Work (from 'Mossley Mill') |
Robert Jarvis |
Ambient, Experimental, Chamber Group |
Atmospheric, Bright, Factual |
9 |
|
| 14 |
Supernatural |
Olivia Dixon |
Strings, Piano, Experimental |
Epic, Dark, Weird |
9 |
|
| 15 |
Fields of Daffodils |
Elizabeth Parker |
Orchestral, Acoustic |
Sentimental, Mellow |
8 |
|
| 16 |
Temerario |
Mat Davidson |
Strings, Acoustic |
Dark, Atmospheric, Epic |
8 |
|
| 17 |
Earth |
Tony Patterson |
Orchestral, World, Ambient |
Atmospheric, Dramatic |
8 |
|
| 18 |
movement |
Max Wilson |
Strings, Ambient, Acoustic |
Atmospheric, Sentimental, Minimalist |
8 |
|
| 19 |
Empty |
Olivia Dixon |
Ambient, Experimental, Industrial |
Dark, Weird, Cool |
8 |
|
| 20 |
Elevation |
Olivia Dixon |
Piano, Strings, Electronica |
Sentimental, Chilled, Cool |
8 |
|
| 21 |
DNA |
Jonathan Ware |
Ambient, Orchestral, Electronica |
Atmospheric, Dark, Dramatic |
8 |
|
| 22 |
Day Dreamer |
Mark Revell |
Easy Listening, Pop, Jazz |
Atmospheric, Romantic, Sentimental |
8 |
|
| 23 |
A Passing Whale |
Elizabeth Parker |
Ambient |
Dark, Mellow, Weird |
7 |
|
| 24 |
The Lost Gardens of Heligan |
Elizabeth Parker |
Piano, Strings |
Romantic, Atmospheric, Melancholy |
7 |
|
| 25 |
Dark Ceiling Shadow |
Max Wilson |
Industrial, Electronica, Urban |
Dark, Dramatic, Suspense |
7 |
|
| 26 |
Why You Left Me (finale extract) |
Amos Deane |
Strings, Orchestral |
Minimalist |
7 |
|
| 27 |
Don't be a Bad Boy |
Nicholas Pullin |
Electronica, Rock, Experimental |
Dark, Suspense, Dramatic |
7 |
|
| 28 |
Battleground |
Jules Bromley |
Orchestral, Dance, Rock |
Dramatic, Energetic, Epic |
6 |
|
| 29 |
Lobo Pre title |
William Goodchild |
Country, Orchestral |
Atmospheric, Dramatic, Romantic |
6 |
|
| 30 |
Dancing on Ice |
Paul Farrer |
Pop |
Cheerful, Fun, Energetic |
6 |
|
09 Mar 01:31
09 Mar 01:22
08 Mar 00:36
08 Mar 13:24
- “This is beautiful, Jon. I love the constant sense of movement you achieve through the antiphonal nature of the arrangement, despite being an inherently slow piece - very cleverly put together.
I also...…”
- David M Saunders (Composer)
01 Mar 22:47
26 Feb 09:36
- “Really enjoyed this michael. Abstract footage is really hard to write to and I think you did a great job. Use of voice was particularly effective, and the rest of the arrangement was modern and fresh.…”
- Jules Bromley (Composer)
William’s composing portfolio includes original music for natural history and history documentary, radio drama and commercials. He works regularly with a number of international and national orchestras including the Royal Philharmonic Orchestra, the BBC Concert Orchestra and the London Metropolitan Orchestra. As conductor and orchestrator he has undertaken numerous projects for the BBC including several major natural history series.
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Composer Jules Bromley recently completed scoring Shark Bite Beach for Furnace TV on Discovery USA. More
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